(Buenos Aires, 1977)
She studied sculpture with Miguel Harte and art analysis clinics with Diana Aisenberg. He held seminars in Central Saint Martins, London, and in 2011 she participated in the Artist's Programme at Universidad Torcuato Di Tella.
She was selected in the awards Premios Fundación Andreani (2011-2012), 100° Salón Nacional de Escultura, (2011); Premio Estímulo Bonifacio del Carril, Academia Nacional de Bellas Artes (2011); Premio Klemm 2018.
She presented the following solo shows: Supernatural, Kingsborough Art Museum, New York, 2019; Lo nube, Vasari, 2018; Ultimate Nature, duo show with Cecilia Biagini, Clemente Soto Cultural Center, New York, 2017; Protoforme, Abate, 2013; Macumba, Bonjour, 2011; Kinder, Miaumiau Studio, 2009; Bicho, La Casona de los Olivera, 2009.
Since 2007 she has participated in numerous exhibitions in Argentina and abroad, among which are: Paper Routes-Women to Watch 2020, National Museum of Women in the Arts, Washington DC, 2020; Progressive transition, Latin American Art Triennial, Lehman College, NY, 2019; Supported at its end, hanging by its weight, The Loisada Center, NY, 2019; Absence, Planta Baja, Brooklyn, New York, 2017; City Limits: Inside, Above, Within, El Barrio’s ArtSpace PS109, New York, 2017; Cerámicas sin ceramistas, Ruby Galería, Buenos Aires, 2017; 4th AIM Biennial, Bronx Museum of the Arts, New York, 2017; Cuadernos de Artistas, Consulado General de Argentina en Nueva York, 2017; A.I.R. Gallery Biennial, New York, , 2017; Wall, Art East Open Studio, Crystal Park, New York, 2016; First Friday JCAL, Jamaica Center, New York, 2016; Epsilon, abstracciones descentradas, MACBA, Museo de Arte Contemporáneo de Buenos Aires, 2013, (Animal, Vegetable)...Mineral, Haber Space, Central Booking, New York, 2016; Bosquejar, proyectar, esbozar”, Quimera del Arte, Bs As. ,2016; Dialoguing with Cortazar, Clemente Soto Cultural Center, New York, 2016; Introductions, Tresle Gallery, New York, 2016; Ice cubes, Governors Island Art Fair, Nueva York, 2015; V, Artemisa Gallery, New York, 2015; Una persistente forma de estar en el mundo, Miguel Harte, Dolores Furtado y Emilio Renart, ciclo Filiaciones, Casa de la Cultura del Fondo Nacional de las Artes, Buenos Aires, 2014; Arcos de Conexión, MBA Museo de Arte Contemporáneo de Bahía Blanca, 2013; Un nombre para las Lay’s de pollo, Museo del Diario La Capital, Rosario, 2012; Xanadú, Programa para artistas, Universidad Torcuato Di Tella, Buenos Aires, 2012; El complot de las cosas amables, Isla Flotante, Buenos Aires, 2011; Lado B, programa de artistas, Universidad Torcuato di Tella, Buenos Aires, 2011; Lo real, lo real, lo real! Fondo Nacional de las Artes, Buenos Aires, 2011; Nueva Escultura, Miaumiau estudio, Buenos Aires, 2010; KDA en Jardín Oculto, Buenos Aires, 2009; Adoracion a la Madonna, en Daniel Abate Galeria, Buenos Aires, 2009; Colectiva de escultura con Hernán Rojo, Centro Cultural Borges, Buenos Aires, 2007.
Desde 2013, Since 2013, she lives and works in New York.
She studied sculpture with Miguel Harte and art analysis clinics with Diana Aisenberg. He held seminars in Central Saint Martins, London, and in 2011 she participated in the Artist's Programme at Universidad Torcuato Di Tella.
She was selected in the awards Premios Fundación Andreani (2011-2012), 100° Salón Nacional de Escultura, (2011); Premio Estímulo Bonifacio del Carril, Academia Nacional de Bellas Artes (2011); Premio Klemm 2018.
She presented the following solo shows: Supernatural, Kingsborough Art Museum, New York, 2019; Lo nube, Vasari, 2018; Ultimate Nature, duo show with Cecilia Biagini, Clemente Soto Cultural Center, New York, 2017; Protoforme, Abate, 2013; Macumba, Bonjour, 2011; Kinder, Miaumiau Studio, 2009; Bicho, La Casona de los Olivera, 2009.
Since 2007 she has participated in numerous exhibitions in Argentina and abroad, among which are: Paper Routes-Women to Watch 2020, National Museum of Women in the Arts, Washington DC, 2020; Progressive transition, Latin American Art Triennial, Lehman College, NY, 2019; Supported at its end, hanging by its weight, The Loisada Center, NY, 2019; Absence, Planta Baja, Brooklyn, New York, 2017; City Limits: Inside, Above, Within, El Barrio’s ArtSpace PS109, New York, 2017; Cerámicas sin ceramistas, Ruby Galería, Buenos Aires, 2017; 4th AIM Biennial, Bronx Museum of the Arts, New York, 2017; Cuadernos de Artistas, Consulado General de Argentina en Nueva York, 2017; A.I.R. Gallery Biennial, New York, , 2017; Wall, Art East Open Studio, Crystal Park, New York, 2016; First Friday JCAL, Jamaica Center, New York, 2016; Epsilon, abstracciones descentradas, MACBA, Museo de Arte Contemporáneo de Buenos Aires, 2013, (Animal, Vegetable)...Mineral, Haber Space, Central Booking, New York, 2016; Bosquejar, proyectar, esbozar”, Quimera del Arte, Bs As. ,2016; Dialoguing with Cortazar, Clemente Soto Cultural Center, New York, 2016; Introductions, Tresle Gallery, New York, 2016; Ice cubes, Governors Island Art Fair, Nueva York, 2015; V, Artemisa Gallery, New York, 2015; Una persistente forma de estar en el mundo, Miguel Harte, Dolores Furtado y Emilio Renart, ciclo Filiaciones, Casa de la Cultura del Fondo Nacional de las Artes, Buenos Aires, 2014; Arcos de Conexión, MBA Museo de Arte Contemporáneo de Bahía Blanca, 2013; Un nombre para las Lay’s de pollo, Museo del Diario La Capital, Rosario, 2012; Xanadú, Programa para artistas, Universidad Torcuato Di Tella, Buenos Aires, 2012; El complot de las cosas amables, Isla Flotante, Buenos Aires, 2011; Lado B, programa de artistas, Universidad Torcuato di Tella, Buenos Aires, 2011; Lo real, lo real, lo real! Fondo Nacional de las Artes, Buenos Aires, 2011; Nueva Escultura, Miaumiau estudio, Buenos Aires, 2010; KDA en Jardín Oculto, Buenos Aires, 2009; Adoracion a la Madonna, en Daniel Abate Galeria, Buenos Aires, 2009; Colectiva de escultura con Hernán Rojo, Centro Cultural Borges, Buenos Aires, 2007.
Desde 2013, Since 2013, she lives and works in New York.